Wednesday, December 6, 2017

Saluting Russian Companies' Videos

Lee Gluckman, chairman of FilmFest, joined members of award-winning FreeMotion Group at a TASS news agency conference recently in Moscow. The conference topic was about the success of Russian companies in international video competitions. LBL Production (FreeMotion Group), Novosibirsk, won Best of Festival in Corporate in the 2017 FilmFest competition. The winning work was for Minsk Traktor Works, Minsk, Belarus. Here, Lee (center) presents a plaque to Ekaterina Kolyada, member of the Board of the Association of Communication Directors and Corporate Media of Russia. Vyacheslav Goldfeld (left) is FreeMotion CEO, co-founder and managing partner, and Alina Kotova (right) is FreeMotion co-founder and managing partner.

Thursday, June 22, 2017

2 Australian filmmakers win in 2017 Festival

Australians won three awards in the 2017 US International Film & Video Festival. A Children’s Television show won a Best of Festival award and a Gold Camera first place award. A Silver Screen award went to a second work, by MindConsole, Sydney.
"Little Lunch"

The Australian Children’s Television Foundation sponsored the Best of Festival-Entertainment work, "Little Lunch – The Nightmare Before Graduation," based on books written by Danny Katz and illustrated by Mitch Vane.  “Little Lunch” refers to a morning tea break, and the shows tell about funny and touching adventures that happen during that 15-minute period.
Gristmill, Melbourne, was the production company for the TV segment with Robyn Butler, Wayne Hope and Ben Grogan as producers. Butler also directed.

The MindConsole award was for "Pernod Ricard Winemakers," which featured the different winemaking regions and how they are woven together. Sarah Descher headed the project for Pernod with Markus Karlseder as producer and Benjamin Shepherd as director. Cinematographer was Benjamin Shepherd with Dominic Dimech as editor.

Entries from 25 countries competed in the festival's 50th year. Find more information about winners at

Wednesday, June 14, 2017

BOF Nominees represent 9 countries

Fourteen productions selected as nominees for Best of Festival in the 2017 U.S. International Film & Video Festival come from nine countries. They also represent multiple nominations for LBL Production (FreeMotion Group) in Russia and NHK (Japan Broadcasting Corporation), Tokyo.

The shortlist represents works as broad as a look at the Chopin piano competition and insight into the aftermath of a nuclear plant meltdown or life for two elderly Japanese who shun modern conveniences.

Corporate nominees:
  • LBL Production (FreeMotion Group), Novosibirsk, Russia, for "The 31st  Kilometer," produced for Salym Petroleum Development, Moscow, to demonstrate efforts to prevent environmental problems;
  • "Breadwinner," a first-person for Minsk Traktor Works, Minsk, Russia, done by LBL Production to expand knowledge of the product, which is sold in 130 countries;
  • Omnicron Productions, Auckland, NZ, for "Vodafone," a safety film for Vodafone New Zealand featuring real staff;
  • Wizard Films, New Taipei City, Taiwan, for "The Master," which shows an artist who draws inspiration from pottery, calligraphy and tea ceremony rituals;

  • NHK (Japan Broadcasting Corporation), Tokyo, for "Tuning the Battle: Behind the Chopin Piano Competition," the world’s most prestigious and demanding contest for young pianists;
  • NHK for "88 Hours: The Fukushima Nuclear Meltdown," views the background of the March 2011 accident at the Fukushima Daiichi nuclear plant through interviews with more than 500 people involved in the crisis;
  • China Global Television Network, Beijing, for "Operation: Drug War," which documents Philippines President Rodrigo Duterte’s bloody war against drug dealers and users;
  • RT, Moscow, for "H2Woe," a look at the water crisis in several Indian states as a way to increase awareness of ecological challenges;
  • GMA Network Inc., Quezon City, Philippines, for "I-'Witness: Busal (Muzzled)" tells the horrific effects of President Duterte’s “War on Drugs” through the experiences of the group most affected, the marginalized sector of society.

  • NHK (Japan Broadcasting Corporation), Tokyo, for "Design Ah! #109," a film aimed at ages 5-10 that demonstrates design through everyday objects;
  • Centre For Electronic Media, Bern, Switzerland, for "Focus – Federal Intelligence Service" showing Switzerland as a business and research place sensitive to the threat of espionage and proliferation.

  • Australian Children's Television Foundation, Melbourne, for "Little Lunch – The Nightmare Before Graduation," done for Australian Children's Television tells about funny and touching adventures during snack time in the school playground, based on books written by Danny Katz and illustrated by Mitch Vane;
  • Pacific Television, London, for "Life's A Party with David Burtka," done for Food Network USA, New York, and featuring actor Burtka preparing a birthday party for husband Neil Patrick Harris with help of their twins, Harper and Gideon;
  • "An Eden for Two" by Yamaguchi Broadcasting Co. Ltd., Shunan, Japan, features a couple who after World War II chose to live deep in the mountains without electricity, a telephone, or plumbing.

Videos and/or photos of the nominees along with Gold Camera, Silver Screen and Certificate winners can be viewed at

Best of Festival winners and the recipient of the One World Award presented by the International Quorum of Motion Picture Producers will be announced June 21.

Thursday, May 18, 2017

Festival promotes global cooperation theme

Filmmakers whose topics speak to global understanding were invited to compete for the 2017  One World Award in the US International Film & Video Festival. The award recognizes a production that demonstrates international cooperation and has been sponsored for 25 years by the International Quorum of Motion Picture Producers (IQ).

2012 Statuette

In the past decade, winners have represented 10 countries and addressed topics such as AIDS, nuclear power, religious tolerance, green technology, child labor and counterfeit products. US International Film & Video entrants nominate their own works for One World consideration. Judges in the festival also can recommend works for the award.

We are just a few weeks away from knowing more about this year's One World participants. IQ judges are in the process of viewing nominees, and the insider info is that it will be a tough duty.  

Here's a quick look back at some past One World winners:
In 2016, Arizona Films, Brussels, won for “Wattway – Solar Roads.”  The film was done for Colas Group Paris, a civil engineering firm, and considers the possibilities of innovative road technology as a source for energy.

GMA News TV, The Philippines, received the award in both 2014 and 2015. A 2014 documentary, "Brigada (The Brigade): Gintong Krudo (Black Gold)," raised awareness of the 5.5 million Filipino children considered child laborers. The 2015 winning program, “Front Row: ALS,” exposed the hardships of families caring for members with the debilitating disease, amyotrophic lateral sclerosis.

Other One World winners:

  • 2004 "Walk the World" Momentum NL, The Netherlands 
  • 2005 “Gorbachev’s Revolution” Director Fern Levitt and Barna-Alper Productions, Toronto, Canada 2006 "Tracking the Monster: Confronting AIDS in Africa" Boom Pictures, New York City 
  • 2007 "The Battle of Chernobyl" Discovery Networks International (USA) 
  • 2008 "Five Times God" Kanguruh-Film Berline GmbH, Berlin
  • 2009 "Beyond Beliefs" Closer Productions, Adelaide for Issues Deliberation Australia/America (IDA) 
  • 2010 "IBM Multitask—Popsicle—Heart" Wizz Design, Clichy, France 
  • 2011 “New Standard for Environmental Action” Pohjantahti-Elokuva, Helsinki, Finland 
  • 2012 “Heritage Saved is History Preserved” Henk van Mierlo VOF for NV Bergkwartier, Deventer, The Netherlands 
  • 2013 “Counterfeit Culture” Tell Tale Productions, Halifax, Nova Scotia 

More as soon as we know.  

Thursday, February 23, 2017

ReelChicago Ratney a Real Journalist

Ruth Louise Ratny, founder and editor of ReelChicago and Screen Magazine – and a friend to those of us at Mobius Awards and US International Film & Video Festival – died Feb. 21 in her sleep. The only daughter of German immigrants who settled in Chicago, she jumped from high school to become a dedicated and successful supporter of the Chicago film and advertising communities.

At the beginning of her career, Ruth worked as a producer in the post-production industry and earned an Emmy. In 1979, she founded the print-based advertising and film publication Screen Magazine and served as editor and publisher for 23 years before selling it in 2001. She founded the digitally exclusive in 2004 and continued editing and writing much of the publication’s content until last week. She filed her final story on Feb. 10, 2017.

Along the way, Ruth earned distinction as a Chicago and Midwest Ad Woman of the Year, a member of Today’s Women Chicago 100 Hall of Fame, an honoree on Newcity Magazine’s “Film 50” list, a recipient of the Hugo Legend Film Award and a recipient of the Chicago Film Critics Award, among others. Additionally, she served on dozens of film juries, discussion panels, volunteer organizations and awards shows.

Lee Gluckman, also a Chicago native and chairman of Mobius Awards and US International Film & Video Festival, which were founded in Chicago, had known Ruth “going back to the late ‘60s not long after I formed Producers Group Ltd., a Chicago-based production company,” he said. “I always had great respect for her approach and opinions on everything about the business in Chicago. It seemed that she knew everyone who was anyone in in advertising and film.”

Gluckman, now based in Los Angeles, kept in touch with Ruth occasionally in person and more often by phone. “She had a sharp wit and strong opinions, but she was usually right. I will miss her,” Gluckman said.

In her personal time, Ruth completed two film scripts that generated a number of offers, but none of them matched the deal that she had hoped for. One was a love story about a young couple on different sides of the U.S./Mexican border; the other, a feature documentary about Mahalia Jackson, “The Queen of Soul,” who earned her fame and spent much of her career in Chicago. Ruth was also a fierce supporter of liberal causes, especially those devoted to women and children. Her contributions to charitable organizations would have been legendary if she had chosen to publicize them, according to her staff at

Wednesday, February 8, 2017

1992 Gold winner good as ever

As part of the 50th anniversary competition of FilmFest, we are revisiting past winners and have uncovered some real gems. “The Show Must Go On” video promoting the band Queen’s “Greatest Hits II” album was certainly one of those. This film is a rich to watch now as it was on first release. It received a Gold Camera award in the 1992 US International Film & Video Festival.  

The Vienna, Austria, team of Rudi Dolezal and Hannes Rossacher –DoRo—won for the video, which was a montage of clips from the group’s 1981 to 1991 videos. Last year, Rossacher spoke to the 2016 gathering of the Queen Fan Club  about working on the video. Queen’s “Latest Hits II” compact disc was released in the UK in October 199 and in the U.S. in February 1992.

Dolezal and Rossacher started in the industry producing TV series for Austrian and German stations. Then they stormed the music video world. DoRo produced a string of videos for artists that included The Rolling Stones, David Bowie, Miles Davis, and Frank Zappa. The team also produced documentaries, most related to the music world. The pair are known as the “Torpedo Twins” when they work together.

Both men ontinue to work as directors and producers. Dolezal’s credits include “Austropop-Legenden” (2012) and “Freddie Mercury, the Untold Story” (2000). Rossacher produced “Elvis in Las Vegas” in 2010, among other works. 

Read more about Queen here: The Show Must Go On Promo
View the promo video:

Monday, February 6, 2017

Are we in a video tsunami? Read on..

CEO, Tribe Pictures

With 2016 finally in the rearview mirror, it seems like a good time to reflect on the trends we see happening in the world of video and how they may be addressed in 2017 and beyond. 

Vern Oakley
1) Welcome to the video tsunami. Video is by far the way more and more people want to receive messages and information. We're at the crest of the wave, and the surf is up. By 2020, 84 percent of all Internet traffic will be video. That's an astounding number.

2) Video continues to move in-house. Many of the Global 1,000 corporations have in-house video departments.  We worked with more internal video departments in 2016 than in any other year. The middle market is looking to outsource the whole video thing and avoid staff and space allocations. 
3) There's a lot of bad video out there. The barrier to entry is so low in terms of money for the equipment, and business is so thirsty for video, which means that there is a profusion of mediocre video and much of it is ignored. Don’t believe me? Spend 10 minutes on YouTube, pick a category, and look at few videos and check out the number of views.  

4) Smart businesses demand ROI and ROI demands context. To understand and create effective video content is a skill unto itself. What distinguishes the merely acceptable from the truly great in our field is an advanced level of strategic and creative thinking, a firm grip on the business challenges, and the societal context your audience is experiencing.

5) Virtual Reality is a contender. We've barely scratched the surface of VR's massive potential for corporate and institutional applications. While VR is currently in the "trough of uncertainty" stage of its development, there's no doubt that more immersive and interactive video experiences are here to stay. We [Tribe] did some exciting work with BASF with 360-degree video in 2016 and will continue to do a lot more of it in the coming years.

6) Culture beats strategy. Cultural differentiators are the most surefire (some might say only) way to stand out in a crowded global business environment. It starts at the top – no secret there.  Most of Tribe’s work over the last year can all be categorized under the umbrella of "culture.” We found we have helped our clients most when solving a specific communication challenge around building and improving a company's culture. 

7) Video is more global than ever. Video is the only truly common world language. Global companies, with global viewpoints balanced with U.S.-based operations; that sums up much of Tribe's 2016 corporate client list: Allergan, Pfizer, BASF, UBS, Verizon, KPMG, Colgate-Palmolive, BD, American Express, Stanley Black & Decker, Hubbel, Hess, Vera Wang and Lonza.

8) 30 Years of Pattern Recognition. Tribe celebrated 30 years in business in 2016, and while we're not patting ourselves on the back too much (we did pause for a celebratory Tribe lunch!), we feel we are at the top of our game, but must keep climbing higher. Having 30 years of experience allows us to notice patterns and execute projects in a more cohesive, cogent manner and more efficiently. (And we also have some very dynamic young people on staff to keep us honest and up-to-date.)

9) Business has two speeds: faster and faster. So much of our work in 2016 was completed under tight time constraints. This is result of the speed of business and the reality of the lives of our clients. In order to serve them properly, we need to understand their pressure and work with it. To survive and thrive we have to be a nimble business and so we've learned how to assemble pop-up teams at a moment's notice, and how to do great creative work under duress.

10) Publishing a book reveals who you are - really. This is a more personal one. I wrote a book called Leadership in Focus: Bringing Out Your Best on Camera, which will be published by Greenleaf in April of 2017. Figuring out just what I wanted to say and then the best way to share that message with the world has been an unparalleled experience and a lesson in self-discovery. 

More about Oakley at and about Tribe at